我要投票 Ovation在吉他行业中的票数:191
· 外 推 电 报 ·
2025-04-04 22:27:42 星期五

【Ovation是哪个国家的品牌?】

Ovation是什么牌子?「Ovation」是 广州市发时达乐器有限公司 旗下著名品牌。该品牌发源于美国,由创始人卢颖嫦在2012-07-17期间创立,经过多年的不懈努力和高速发展,现已成为行业的标杆品牌。

外推网助力Ovation品牌出海!通过在本页面挂载Ovation品牌的产品链接和联系邮箱,可以提高Ovation产品曝光!跨境电商爆单神器,目前只要100元/年哦~

Ovation,吉他品牌。Ovation雄大的声音能量与各弦之间的声音平衡是精美的,这种面板的厚度与重量分别只有云杉板的三分之一及二分之一,而强度却比后者高出几倍。因此只需很轻微的加固从而比木结他有更好的振动效果。

时至今日,即便在国内的一些大城市,许多人还未必听说过Ovation这种吉他,但如果说起圆底吉他,也许你会说:“是不是星辰那种?”。大概多数人也弹过这种所为的“圆底吉他”(大多数人弹的大都是日本,南韩,甚至天津的产品,而非美国的Ovation吉他---他们之间可以说有相当大的区别),这四个不同地方产的“圆底吉他”,虽然他们的手感,插电后点音色,当然还是价格上有很大的区别,但他们的“木声”(没插电的声音)却都有一个共同的特点:音色富于弹性及穿透力,低音至高音的音色与音量想当平衡,尤其是音频于一般的平底吉他相比,特别丰富悦耳。

30年前,航空材料学的先锋查理`凯门(Charlie Kaman)在吉他材料及工艺方面的革新取得了重要成功,体现了独特“圆底吉他”的Ovation吉他于1966年隆重登场,专业人士在为这种吉他的性能与饱满音色作欢迎的同时,也被这种吉他的惊人设计弄得摸不着头脑。

60年代初,Charlie Kaman觉得应该尝试把先进的飞机制造技术用于其它产品的设计于生产,为自己的航空设备制造工司创造更大更多元化的市场,一方面作为一名经验丰富的吉他手,他完全清楚吉他手到底想要的是什么,另一方面又因为在直升机螺旋浆制造方面的丰福经验,他比其它吉他制造商对振动有了更多的理解,“工程师在设计制造直升机时是想尽办法消除振动,而在设计制造吉他时却得想办法保持振动。”

1964年,Charlie Kaman挑选出一个航空工程技术小组(其中的一些技工还是木工爱好者)来完成这个项目,他们的研究发现,普通声学吉他中与面板平行的背板实际上正好阻得了声波的反射及高低音的平衡,于是他们打破了制造届吉他的第一号定律,开发出“圆背理论”。这一设计思想改善了声反射,使吉他由低音到高音有了良好的平衡,同时使吉他的结构更加结实。

圆背吉他免去传统吉他背板上的加强筋,而整体结构却更加坚固,而圆背的不同曲谇半径可以使声反射集中到发声孔处,这种设计因此还使产品产生了比传统吉他大得多的声音。

Ovation的技术人员还认真研究了背板与面板之间音柱的位置于材料,通过选择不同的音柱支撑位置,使不同型号的Oavtion吉他有了各自的风格,而至于材料,又在航空技术上动脑筋。这些新的音柱支撑技术于材料,加上精巧的圆背设计,让Ovation吉他同时把音色平衡与反射提高到一个新的水平。

经过两年的样琴试制,终于把Ovation的第一个产品----Balladeer(民谣歌手)带到人们的眼前,而这把吉他那如今已闻名于世的圆背,当时吸引无数音乐工业人士的好奇眼光。

大约在60年代末,职业吉他手开始越来越注意声学吉他的拾音,扩音质量了。而当时有许多加装型拾音器可供选择,然而却没有一种能满足专业表演,录音的要求,Ovation的工程师开始形成一个使电吉他能被专业人员接受的概念:装在弦码下的Ovation拾音器。


英文翻译:Ovation, guitar brand. Ovation's big sound energy and the sound balance between the strings are exquisite. The thickness and weight of this panel are only one-third and one-half of that of spruce board respectively, but its intensity is several times higher than that of the latter. Therefore, it only needs slight reinforcement to have better vibration effect than the wooden one. Up to now, even in some big cities in China, many people may not have heard of ovation guitar, but when it comes to round bottom guitar, maybe you will say, "is it the kind of stars?". Probably most people have played this kind of "round bottom guitar" (most of them play Japanese, South Korean or even Tianjin products, rather than American ovation guitars, which can be said to be quite different from each other). Although the four different places produce "round bottom guitars", their hand feel and voice color after plugging in the electricity, of course, are very different in price, but they are different from each other Their "wooden voice" (the voice without plug-in) has a common feature: the timbre is elastic and penetrating, and the timbre from bass to treble needs to be balanced with the volume, especially compared with the ordinary flat guitar, the timbre is rich and pleasant. Thirty years ago, Charlie Kaman, the pioneer of Aeronautical Materials Science, made an important success in the innovation of guitar materials and technology. The ovation guitar, which embodies the unique "round bottom guitar", was grandly launched in 1966. Professionals welcomed the performance and full tone color of the guitar, but also were confused by the amazing design of the guitar. In the early 1960s, Charlie Kaman thought that he should try to use advanced aircraft manufacturing technology in the design and production of other products to create a larger and more diversified market for his aviation equipment manufacturing company. On the one hand, as an experienced guitarist, he fully understood what the Guitarist Wanted, on the other hand, because of Fengfu in helicopter propeller manufacturing Experience shows that he has a better understanding of vibration than other guitar manufacturers. "When designing and manufacturing helicopters, engineers try to eliminate vibration, but when designing and manufacturing guitars, they have to find ways to keep vibration." In 1964, Charlie Kaman selected an aviation engineering technology team (some of them are carpenters) to complete the project. Their research found that the backplane parallel to the panel in the ordinary acoustic guitar actually blocks the reflection of sound waves and the balance of high and low bass, so they broke the No. 1 Law of guitar manufacturing and developed the "theory of round back" 。 This design idea improves the acoustic reflection, makes the guitar have a good balance from bass to treble, and makes the structure of guitar more solid. The round back guitar avoids the reinforcing ribs on the back plate of the traditional guitar, but the overall structure is more solid. The different radius of the round back can make the sound reflection concentrate on the sound producing hole, so this design also makes the product produce a much larger sound than the traditional guitar. Ovation's technicians also carefully studied the position of the voice column between the backplane and the panel and the materials. By choosing different positions of the voice column support, different types of ovation guitars have their own styles. As for the materials, they also used their brains in aviation technology. These new pillar support technologies in materials, coupled with sophisticated round back design, allow ovation guitar to improve the timbre balance and reflection to a new level at the same time. After two years of trial production, balladeer, ovation's first product, was finally brought to people's eyes. The round back guitar, which is now famous in the world, attracted the curiosity of numerous music industry people at that time. In the late 1960s, professional guitarists began to pay more and more attention to the pickup and amplification quality of acoustic guitars. At that time, there were many additional pickups to choose from, but none of them could meet the requirements of professional performance and recording. Ovation engineers began to form a concept that could make the electric guitar accepted by professionals: ovation pickups installed under the string code.

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